Bach Bibliography
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Ganassi dal Fontego, Silvestro di [Ganassi, Silvestro]:   Opera Intitulata Fontegara: La quale insegna a sonare di flauto chon tutta l'arte opportuna a esso instrumento massime, il diminuire il quale sara utile ad ogni instrumento di fiato et chorde, et anchora a chi si dileta di canto. (1535), 79 Bl
2. Ganassi dal Fontego, Silvestro di [Ganassi, Silvestro]:   Regola Rubertina: regola che insegna sonar de viola d'archo tastada. [part 1] (1542), 50 Bl
3. Viadana, Lodovico Grossi da:   Centi Concerti Ecclesiastici, opera duodecima. (1602)
4. [Nichelmann, Christoph; Leopold, Georg August Julius; Dünkelfeind, Kaspar]:   Die Vortreflichkeit der Gedancken des Herrn Caspar Dünckelfeindes über die Abhandlung von der Melodie ins LIcht gesetzet von einem Musick Freunde. (1755), 16p
5. Volkening, August Dietrich:   Ein beachtenswerther Gegenstand für Orgelbauer. Urania(Erfurt) 3/ 8 (1846), 122-123
6. Wagner, Ernst David:   48 choralartige Orgel-Vorspiele zum gottesdienstlichen Gebrauch bestimmt, zunächst für Organisten in kleinen Städten und auf dem Lande nebst einer vollständigen Anleitung zum Gebrauch derselben, sowie auch einem Anhange: Zwei figurirte Choral-Vorspiele und ein Postludium bestehend aus einer fünfstimmigen Fuge von Seb. Bach mit einem Präludium von E. D. Wagner. Op. 16. (1847)
7. S. D.:   Concert donné par Jean Becker et Éd. de Hartog. RevueGazMParis 30/14 (5 Apr 1863), 107
8. Wagner, Ernst David (arr.):   [Ave Maria. Melodie a. d. 1ten Präludium des wohltemp. Klaviers] (1865)
9. Wagner, Ernst David:   Musikalische Ornamentik oder die wesentlichen Verzierungs-Manieren im Vortrage der Vokal- und Instrumental-Musik (1869), viii, 272p
10. S. de Lange jr. Mede-oprichter der Bachvereeniging:   Een antwoord aan Fantasio in zake de Bachvereeniging. Caecilia 28/15 (1 Aug 1871), 134
11. Wagner, Ernst David; Brissler, Friedrich Ferdinand (arr.):   Gavotte D-moll. BeliebteKomp(Wagner/Brissler) 1 (c 1884)
12. Wagner, Ernst David; Brissler, Friedrich Ferdinand (arr.):   [Bourrée (Hm.) / J.S. Bach] BeliebteKomp(Wagner/Brissler) 16 (1884)
13. Gounod, Charles; Dubois, Charles (arr.):   Prélude de Bach. (1887)
14. Wagner, Ernst David; Brissler, Friedrich Ferdinand (arr.):   [Gavotte (Gm.) / J.S. Bach] BeliebteKomp(Wagner/Brissler) 40 (1888)
15. Wagner, Ernst David; Brissler, Friedrich Ferdinand (arr.):   Bourrée (A moll) von J.S. Bach. BeliebteKomp(Wagner/Brissler) 42 (1888), 7p
16. Lange, S. de:   Satzfehler (?) bei Bach. SambdIMg 4/1 (Nov 1902), 173-174
17. Gounod, Charles; Dacci, Giusto (arr.):   Ave Maria: meditazione sul Primo Preludio di S. Bach. (1911), 2 St
18. Gwenallt Jones, D.:   Tyrd ferch i'r goedwig / J. S. Bach. (c 1920), 2p
19. Kelk, A. Hastings; Diack, John Michael (arr.):   A Selection from the Passion of our Lord according to St. Luke / attributed to J. S. Bach. (1926), iv, 56p
20. Marahrens, D.:   Festpredigt beim zweiten Heinrich-Schütz-Fest in Celle 1929 MKirche 1/4 (Jul-Aug 1929), 149
21. Solomon, John; Jones, D. Marblacy:   Bach's Trumpets. MonMRec 61/722 (2 Feb 1931), 43-45
22. Gounod, Charles; Duthoit, W. J. (arr.):   Meditation ... Sur le 1er Prelude de J. S. Bach (arr. for Military Band) (1934)
23. Wetzler, Hermann Hans; Deis, Carl (eds.):   'Be Not Afraid,' Motet... (1934), 31p
24. Feicht, Ks. dr Hieronim:   Jan Sebastian Bach. ZycieSpiewacze 3/3-4 (18-19) (1950), 26-30
25. Labs, Dietrich:   6. Greifswalder Bachwoche. MKirche 21/5 (Sep-Oct 1951), 248-249
26. Stevens, Denis:   Another View of the Bach Bow. MTimes 96/1344 (Feb 1955), 98
27. Labs, Dietrich:   Elfte Greifswalder Bachwoche. MKirche 27/4 (1957), 200-201
28. Stevens, Denis:   Problems of Editing and Publishing Old Music. [cr]NewYork1961 1 (1961), 150-158
29. Nichols, D.:   Carmel Festival. MCourier 164 (Oct 1962), 34
30. Labs, Dietrich:   17. Greifswalder Bachwoche. Kmusiker 14 (1963), 139-140
31. Jones, David:   The Music of Xenakis. [English Bach Festival] MTimes 107/1480 (Jun 1966), 495-496
32. Labs, Dietrich:   Greifswalder Bach-Woche 1966. WürttembergBlKm 33 (1966), 157-158
33. Weiss, Dieter:   Zur Tonartengliederung in J. S. Bachs Johannes-Passion. MKirche 40/1 (1970), 33
34. Labs, Dietrich:   Vierundzwanzigste Greifswalder Bachwoche. MKirche 40/5 (1970), 355
35. Labs, Dietrich:   25. Greifswalder Bachwoche. Kmusiker 22 (1971), 137, 139
36. Labs, Dietrich:   Fünfundzwanzigste Greifswalder Bachwoche [10.-16. Juni 1971]. MKirche 41/4 (1971), 201-202
37. Ganassi dal Fontego, Silvestro di [Ganassi, Silvestro]:   Regola rubertina: Teil 1 und Teil 2: Lehrbuch des Spiels auf der Viola da Gamba und der Laute; Venedig 1542 und 1543. (1972), 123p
38. Labs, Dietrich:   26. Greifswalder Bachwoche. MKirche 42/5 (1972), 239-240
39. Smithers, Don L.:   Number and Symbolism in Bach's B-minor Mass. [p]AMS_NewYorkState (Apr 1972)
40. Constantinides, Dinos:   Chaconne by J. S. Bach. [p]AMS_Southern (Apr 1972)
41. Smithers, Don L.:   The Music and History of the Baroque Trumpet before 1721. (1973), 323p
42. Bales, Dorothy:   Henryk Szeryng And Bach. AmerStringTeacher 23/3 (Summer 1973), 10-11, 27
43. Labs, Dietrich:   27. Greifswalder Bachwoche. Kmusiker 24 (1973), 145-146
44. Themelis, Dimitris:   Klavieretüde oder Violinetüde? Zur Frage der chronologischen Priorität. Mf 26/3 (Jul-Sep 1973), 333
45. Labs, Dietrich:   27. Greifswalder Bachwoche. MKirche 43/5 (Sep-Oct 1973), 246-247
46. Smithers, Don:   The enduring significance of J S Bach. MMusicians 21/ 5: 245 (Jan 1973), 26-29
47. Smithers, Don:   How Bach composed. MMusicians 21/ 8: 248 (Apr 1973), 38-40, 42
48. May, Ernest Dewey:   Breitkopf's Role in the Transmission of J. S. Bach's Organ Chorales. diss. (1974), 192p
49. Labs, Dietrich:   Die Greifswalder Bachwoche 1974. MKirche 44/5 (1974), 244-245
50. Labs, Dietrich:   29. Greifswalder Bachwoche. Kmusiker 26 (1975), 136-137
51. Labs, Dietrich:   29. Greifswalder Bachwoche. MKirche 45/5 (1975), 256-257
52. Labs, Dietrich:   Bachwoche 76 [Greifswald.] Kmusiker 27 (1976), 172-174
53. Labs, Dietrich:   Dreißigste Greifswalder Bachwoche. MKirche 46/5 (1976), 247-248
54. Fallows, David:   Authentic Bach. MTimes 117/1602 (Aug 1976), 653
55. Smithers, Don L.:   The baroque trumpet after 1721: Some preliminary observations. Part one: Science and Practice. EarlyM 5/2 (Apr 1977), 177-183
56. Labs, Dietrich:   31. Greifswalder Bachwoche. Kmusiker 28 (1977), 127-128
57. Labs, Dietrich:   31. Greifswalder Bachwoche. MKirche 47/5 (1977), 253
58. Burrows, Donald:   The St John Passion and the Performer. MTimes 118/1609 (Mar 1977), 198-199, 201-202
59. Parsons, D.:   Are composers copycats? NewScientist 73 (1977), 688-689
60. Smithers, Don L.:   The baroque trumpet after 1721: Some preliminary observations. Part Two: Function and Use. EarlyM 6/3 (Jul 1978), 356-361
61. Labs, Dietrich:   32. Greifswalder Bachwoche. Kmusiker 29 (1978), 132-133
62. Labs, Dietrich:   32. Greifswalder Bachwoche. MKirche 48/5 (1978), 245-246
63. Labs, Dietrich:   33. Greifswalder Bachwoche. Kmusiker 30 (1979), 240-242
64. Labs, Dietrich:   33. Greifswalder Bachwoche. MKirche 49/5 (1979), 256-257
65. Humphreys, David:   The D minor Toccata BWV 565. EarlyM 10/2 (Apr 1982), 216-217
66. Humphreys, David:   The Esoteric Structure of Bach's Clavierübung III. (1983), ix, 99p
67. Smithers, Don L.:   Abiding discrepancies between historical fact and present-day practice in performances of music by J. S. Bach. BeitrBachF 2 (1983), 36-45
68. Labs, Dietrich:   Passionsaufführungen in Greifswald. MKirche 53/4 (1983), 220-221
69. Humphreys, David:   More on the cosmological allegory in Bach's Goldberg Variations. Soundings 12 (1984), 25-45
70. Humphreys, David:   Did J. S. Bach Compose the F minor Prelude and Fugue BWV 534? [ce]BHSTercentenaryEssays (1985), 173-184
71. Oliveira, José de Veiga:   Johann Sebastian Bach: A plenitude do gênio. (1986), 63p
72. Labs, Dietrich:   40 Jahre Greifswalder Bachwoche. MKirche 56/6 (1986), 317-320
73. Sanders, Donald:   The Eclectic Bach: Stylistic Variety in the Introductory Movements to the Keyboard Suites. [p]AMS_Southern (Feb 1986)
74. Smithers, Don L.:   Playing the Baroque Trumpet: Research into the history and physics of this largely forgotten instrument is revealing its secrets, enabling modern trumpeters to play it as the musicians of the 17th and 18th centuries did. ScientificAmer 254/4 (1986), 108-115
75. Mather, Betty Bang; Karns, Dean M.:   Dance Rhythms of the French Baroque: a Handbook for Performance. (1987), xiv, 334p
76. Smithers, Don L.:   Gottfried Reiches Ansehen und sein Einfluß auf die Musik Johann Sebastian Bachs. BachJb 73 (1987), 113-150
77. Moses, Don V; Demarec, Robert W. Jr.:   Articulation in Late Baroque Choral Music. ChoralJ 27/10 (May 1987), 17-30
78. Della Chiesa d'Isasca, Marco:   Per una rilettura di Bach: Osservazioni sulla struttura e sulla interpretazione del preludio e fuga in fa maggiore (N. 11) dal primo volume del Clavicembalo ben temperato di J.S. Bach. Eunomio 7 (Fall 1987), 3-10
79. Humphreys, David:   A Bach Polyglot - The A Major Prelude & Fugue BWV 536. OrganYb 20 (1989), 72-87
80. Popinigis, Danuta:   Die Rezeption des Schaffens C.P.E. Bachs in Gdansk in der zweiten Hälfte des 18. Jahrhunderts. StAI 39 (1989), 57-58
81. Smithers, Don L.:   Die Verwendung der Blechblasinstrumente bei J. S. Bach unter besonderer Berücksichtigung der Tromba da tirarsi. Kritische Anmerkungen zum gleichnamigen Aufsatz von Thomas G. MacCracken. BachJb 76 (1990), 37-51
82. Smithers, Don L.:   Bach, Reiche and the Leipzig Collegia Musica. HistBrassSocJ 2 (1990), 1-51
83. Smithers, Don L.:   The Original Circumstances in the Performance of Bach's Leipzig Church Cantatas, 'wegen seiner Sonn- und Festtägigen Amts-Verrichtungen'. ContributStudMDance 19 (1992), 111-126
84. Collins, Denis:   Historical Precedents for Bach's Evolutio Canon BWV 1087/10. Bach 24/1 (Spring-Summer 1993), 5-14
85. Della Chiesa d'Isasca, Marco:   Per una rilettura di Bach: Osservazioni sulla struttura, sulle componenti stilistiche e sulla interpretazione del preludio e fuga in do diesis maggiore (n.3) dal secondo volume del Clavicembalo ben temperato di J.S. Bach. II. Eunomio 20 (Spring-Summer 1993), 3-17
86. Fernandez de la Cuesta Gonzalez, Ismael; Vicente Delgado, Alfonso de (eds.):   Culturas musicales del Mediterráneo y sus ramificaciones. RevistaMcol 16 (1993), 722, 577, 517, 750p
87. Humphreys, David:   'Und besonders für Kenner von dergleichen Arbeit' -- A Study of the Symbolic Aspects of Bach's Dritter Theil der Clavierübung. OrganYb 24 (1994), 41-64
88. Powers, Doris B.:   Forkel's Theory of Sonata: His Commentary on C.P.E. Bach's Clavier Sonata in F Minor (1763), H. 173. [p]AMS_Minneapolis (Oct 1994)
89. Collins, Denis:   Canon and Music Pedagogy 1500-1800. TheoriaTexas 8 (1994), 53-72
90. Smithers, Don L.:   The Original Circumstances in the Performance of Bach's Leipzig Church Cantatas, 'Wegen seiner Sonn- und Festtägigen Amts-Verrichtungen'. Bach 26/1-2 (1995), 28-47
91. Collins, Denis:   Musical Terminology in the Canonic Works of Bach: An Historical Context. Bach 26/1-2 (1995), 91-101
92. Jefferies, Denise Elmore:   Bach Week '95. Diapason 86/10:1031 (Oct 1995), 6
93. Powers, Doris Bosworth:   Johann Nikolaus Forkel's Philosophy of Music in the Einleitung to Volume One of the Allgemeine Geschichte der Musik (1788): A Translation and Commentary with a Glossary of Eighteenth-Century Terms. diss. (1995), xiii, 472 p
94. Ferris, David:   C. P. E. Bach's Paragraph on Modulation: A Defense of Improvisational Style. [p]AMS_Southeast (Sep 1995)
95. Smithers, Don L.:   Anomalies of Tonart and Stimmton in the first version of Bach's Magnificat (BWV 243a). Bach 27/2 (Fall-Winter 1996), 1-59
96. Collins, Denis:   Spiegel-Kontrapunkt in Theorie und Praxis: Vorläufer für Contrapunctus 12 und 13 aus Bachs Kunst der Fuge. BachJb 82 (1996), 77-92
97. Innes, Dale:   Glenn Gould and the Goldberg variations. GlennGould 2/2 (Fall 1996), 66-71
98. Ferris, David:   C. P. E. Bach in His Father's Image. [p]ABS_California (Apr 1996)
99. Smithers, Don L.:   The Emperors' New Clothes Reappraised; or Bach's Musical Resources Revealed. Bach 28/1-2 (1997), 1-81
100. Chalmers, David H.:   Thoughts on English Translations in Bach's Vocal Works. [ce]SacredChoralMusicJSB (1997), 55-56
101. Chalmers, David H.:   An Annotated Bibliography of Sources on J. S. Bach. [ce]SacredChoralMusicJSB (1997), 57-62
102. Hirsch, Erhard; Hohle, Thomas; Dolgner, Dieter; Ziegler, Gunter (eds.):   Kolloquium zur Friedrich-Wilhelm-Rust-Ehrung der Stadt Dessau anläßlich des 200. Todestages. DessauWörlitzBeitr 7 (1997), 171p
103. Douglas, David James:   Inquiry into J.S. Bach's method of reworking in his composition of the concerto for keyboard, flute and violin, BWV 1044, and its chronology. diss. (1997), vi, 52p
104. Geldenhuys, Daniël Gerhardus:   Johann Friedrich and Catharina--a Russian-French and German relationship. FaschSt 6 (1997), 33-45
105. Burrows, David:   A dynamical systems perspective on music. JMcol 15/4 (Autumn 1997), 529-545
106. Collins, Denis; Schloss, Andrew:   Cognitive-perceptual effects in music: Shepard tones and the Canon per tonos from J. S. Bach's Musical Offering. [p]IMS_London (Aug 1997)
107. Sills, David L.:   Articulation in J.S. Bach's unaccompanied cello suites. AmerStringTeacher 48/1 (Winter 1998), 51-56
108. Collins, Denis:   Bach and Approaches to Canonic Composition in Early Eighteenth-Century Theoretical and Chamber Music Sources. Bach 30/2 (1999), 27-48
109. Thaves, Darrin Fredrick:   Frederick the Great: His influence on the output of flute sonatas by Carl Philipp Emanuel Bach. diss. (1999), 45p
110. Humphreys, David:   Style and Symbol: The Credo of the B minor Mass. MTimes 140/1867 (Summer 1999), 54-59
111. Mundus, Doris:   Erinnerung an Karl Straube. GewandhausMag 25 (1999-2000), 46-48
112. Schwemer, Bettina; Woodfull-Harris, Douglas (eds.):   6 Suites a Violoncello Solo senza Basso. BWV 1007-1012. / J. S. Bach. (2000), 6 vols
113. Kühling, Karin; Mundus, Doris:   Leipzigs regierende Bürgermeister vom 13. Jahrhundert bis zur Gegenwart: eine Übersichtsdarstellung mit biographischen Skizzen. (2000), 87p
114. Collins, Denis; Schloss, Andrew (arr.):   Cognitive-perceptual effects in music: Shepard tones and the Canon per tonos from J. S. Bach's Musical Offering. [cr]IMS1997 (2000), 619
115. Ferris, David:   C. P. E. Bach and the Art of Strange Modulation. MTheorySpec 22/1 (Spring 2000), 60-88
116. Humphreys, David:   J. S. Bach, J. P. Kellner and the Prelude and Fugue in A Major, BWV 536. OrganYb 29 (2000), 27-44
117. Ferris, David:   C.P.E. Bach's Rondos and the Subversion of Genre. [p]AMS_Toronto (Nov 2000)
118. Humphreys, David:   Malcolm Boyd 1932-2001. ChoirOrgan 9/4 (2001), 8
119. Burrows, Donald James:   Gottfried van Swieten and London publications of Handel's music. HändelJb 47 (2001), 189-202
120. Collins, Denis; Schloss, Andrew:   An Unusual Effect in the Canon per Tonos from J.S. Bach's Musical Offering. MPerception 19/2 (Dec 2001), 141-153
121. Rivinus, David Lloyd:   Baroque ties: an exploration of the relationships between Johann Sebastian Bach and members of the Rivinus family in Leipzig from 1723 to 1735. (2002), vi, 60p
122. Powers, Doris Bosworth:   Carl Philipp Emanuel Bach: A Guide to Research. (2002), xiv, 270, [28]p
123. Collins, Denis:   Bach's Occasional Canon BWV 1073 and 'Stacked' Canonic Procedure in the Eighteenth Century. Bach 33/2 (2002), 15-34
124. Popinigis, Danuta; Koch, Klaus-Peter (eds.):   Musikalische Beziehungen zwischen Mitteldeutschland und Danzig im 18. Jahrhundert. Konferenzbericht Gdañsk, 20. - 22. November 2000. [cr]Gdansk2000 (2002), 312p Latin 2
125. Ferris, David:   'Welcher Fantast ich war': C.P.E. Bach's composed improvisations. [p]IMS_Leuven (Aug 2002)
126. Collins, Denis:   Compositional Strategies for Invertible and Stacked Canons from Zarlino to Bach. [p]MSA_Newcastle (Oct 2002)
127. Anderson, Ames; Backer, Bruce; Backus, David; Luedtke, Charles (eds.):   Perspectives on Organ Playing and Musical Interpretation: pedagogical, historical, and instrumental studies: a festschrift for Heinrich Fleischer at 90. VeröffGOrgelfreunde 191 (2002), x, 195p
128. Urrows, David Francis:   'Life on a higher pedestal': Otto Dresel's Bach Club (1883-1890). AmerChoralReview 45/1 (Spring-Summer 2003), 1-4
129. Humphreys, David:   Towards a revised canon for the organ works of J.S. Bach. BIOSJ 27 (2003), 6-18
130. Pals, Daniel:   Prelude to the Passions: Bach and the Theological Heritage of the Reformation. [p]BachsPassions_Miami (Feb-Mar 2003)
131. Vogels, David:   Musings: Bach at Home. AmerOrganist(2) 38/ 8 (Aug 2004), 40-41
132. Lück, Hartmut; Senghaas, Dieter (eds.):   Vom hörbaren Frieden. EdSuhrkamp 2401 (2005), 605p
133. Mundus, Doris:   Erinnerung an: I. Moscheles. GewandhausMag 49 (2005-06), 40-41
134. Breitenfeld, Tomislav; Vargek Solter, Vesna; Breitenfeld, Darko; Zavoreo, Iris; Demarin, Vida:   Johann Sebastian Bach's Strokes. Case Report. ActaClinCroat 45/1 (Mar 2006), 41-44
135. Backus, David:   Die 'recht schöne und große Orgel' von Johann Sebastian Bach. ArsOrgani 54/1 (Mar 2006), 22-24
136. Ferris, David:   Plates for sale: C. P. E. Bach and the story of Die Kunst der Fuge. [ce]CPEBachStud (2006), 202-220
137. Schwemer, Bettina; Woodfull-Harris, Douglas:   I. S. Bah: Sûity dlâ violonèeli solo. Musicus(Russia) 5 (Jan-Mar 2006), 40-43 Latin 2
138. Rogers, David:   Radio 3 Bach Christmas. Organ 85/335 (Feb-Apr 2006), 8-9
139. Collins, Denis:   From Bull to Bach: In Search of Precedents for the 'Complete' Version of the Canon by Augmentation and Contrary Motion in J. S. Bach's Musical Offering. Bach 38/2 (2007), 39-63
140. Adams, David William:   'Modern' Organ Style in Karl Straube's Reger Editions. diss. (2007), xiv, 222p
141. Neumann, Bernd; Schuster, Peter-Klaus; Lehmann, Klaus- Dieter:   Festakt zum Wechsel im Amt des Präsidenten der Stiftung Preußischer Kulturbesitz. JbPreussKulturbesitz 44 (2007), 55-93
142. Backus, David:   Wie sollte man Bachs Orgelwerke aufführen und wie mag Bach selbst gespielt haben? ArsOrgani 56/3 (Sep 2008), 161-164
143. Collins, Denis:   'So you want to write a canon?' An historically-informed new approach for the modern theory class. ColMSymposium 48 (2008), 108-123
144. Gerling, Cristina Capparelli; Santos, Regina Antunes Teixeira dos; Domenici, Catarina:   Reflexões sobre interpretações musicais de estudantes de piano e a comunicação de emoções. MusicaHodie 8/1 (Jan-Jun 2008), 11-25
145. Urrows, David Francis (ed.):   Essays on word/music adaptation and on surveying the field. WordMStud 9 (2008), xiii, 247p
146. Backus, David; Kopf, Gudrun:   Bediente sich Bach einer 'Weichschuh-Tecknik'? ArsOrgani 57/3 (Sep 2009), 179-181
147. Popinigis, Danuta:   Bachowskie interludia w wariacjach na carillon Johanna Ephraima Eggerta z roku 1784. [fs]Pozniakowi70 (2009), 533-544
148. Rogers, David:   The Bach chaconne. Organ 88/349 (Aug-Oct 2009), 38
149. Humphreys, David:   Further on the authenticity of Bach's fugues in A major and F minor. OrganYb 38 (2009), 95-105
150. Backus, David:   Ein Zeitzeuge charakterisiert Bachs Orgelspiel. ArsOrgani 58/4 (Dec 2010), 260-261
151. Goldenstein, Johannes; Dohna, Amélie zu:   Nun komm, der Heiden Heiland (BWV 61): Erster Advent. 'Komm, Jesu, komm zu deiner Kirche' - Zeichenhandlungen zum Beginn des Kirchenjahres und Abendmahl. DienstAmWort 125 (2010), 55-72
152. Rogers, David:   Three unsolved Bach issues. Organ 89/351 (Feb-Apr 2010), 20-22
153. Backus, David; Holzapfel, Hubert; Arand, Andreas:   Ein Zeitzeuge charakterisiert Bachs Orgelspiel. II. ArsOrgani 59/2 (Jun 2011), 123
154. Powers, Doris Bosworth; Wollny, Peter (eds.):   Keyboard Trios I / Carl Philipp Emanuel Bach. CPEBachCW 2/ 3.1 (2011), xxviii, 182p
155. Rogers, David:   Bach on the web. Organ 90/357 (Aug-Oct 2011), 50-51
156. Rogers, David:   The Cranleigh Bach series (2011-2012). Organ 90/358 (Nov 2010-Jan 2011), 49-51
157. Burrows, Donald:   The Balfour Handel Collection. [p]BNUK_Edinburgh (Aug 2011)
158. Burrows, Donald:   The Balfour Handel Collection. UnderstandingBach 6 (2011), 53-55
159. Snellings, Dirk; Vervliet, Stijn:   The vocal ensemble in performances of Bach's music: a historical overview. CahiersFAK 25 (2012), 13-19
160. Snellings, Dirk; Looy, Bart van; Vervliet, Stijn:   Historically informed performance practice as 'bounded' creativity: the role of instruments. CahiersFAK 25 (2012), 47-56
161. Snellings, Dirk; Looy, Bart van; Vervliet, Stijn (eds.):   Historically informed performing Bach: Analysing and mapping the debate on the scoring of Bach's cantatas. CahiersFAK 25 (2012), 64p
162. Backus, David:   Karl Straue und das Dritte Reich. [ce]800JThomana (2012), 281-297
163. Wells, Dominic:   In the footsteps of Bach's St. Matthew Passion: The Passion setting of David Lang and James MacMillan. Tempo 67/264 (Apr 2013), 40-51
164. Stearns, David Patrick:   Writing the book on Bach. OperaNews 79/1 (Jul 2014), 24-27
165. Smithers, Don:   Trumpets, horns, and Bach Abschriften at the time of Christian Friedrich Penzel: probing the pedigree of BWV 143. (2015), 144p
166. Joannis, David Guy:   Bach autrement; Bach Telemann et Handel. (2015), 219p
167. Collins, Denis:   Taneyev's Theories of Movable Counterpoint and the Music of J. S. Bach. Bach 46/2 (2015), 22-45
168. Ferris, David (ed.):   Keyboard Sonatinas from Manuscript Sources I / Carl Philipp Emanuel Bach. CPEBachCW 3/12.1 (2015), xxvi, 181p
169. Ferris, David (ed.):   Keyboard Sonatinas from Manuscript Sources II / Carl Philipp Emanuel Bach. CPEBachCW 3/12.2 (2017), xxiv, 102p
170. Tomita, Yo; Schulenberg, David; Lewis, Daniel Martyn:   Bach's quaver notation and performance implications. [p]BNUK_Cambridge (Jul 2017)
171. Collins, Denis; Murphy, Kerry; Owens, Samantha:   First performances of Bach’s St. Matthew Passion and Mass in B minor in Australian states and territories. AustralianMResearch 17 (2018), 218-221
172. Collins, Denis; Murphy, Kerry; Owens, Samantha (eds.):   J.S. Bach in Australia: Studies in Reception and Performance. AustralianMResearch 17 (2018), xiii, 266p
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